In some exquisite critical hints on "Eurythmy," Goethe remarks, "that the best composition in pictures is that which, observing the most delicate laws of harmony, so arranges the objects that they by their position tell their own story." And the rule thus applied to composition in painting applies no less to composition in literature.

Of all the conditions to which the heart is subject suspense is one that most gnaws and cankers into the frame. One little month of that suspense, when it involves death, we are told by an eye witness in "Wakefield on the Punishment of Death," is sufficient to plough fixed lines and furrows in a convict of five and twenty,--sufficient, to dash the brown hair with grey, and to bleach the grey to white.

If there is a virtue in the world at which we should always aim, it is cheerfulness.

That man will never be a perfect gentleman who lives only with gentlemen. To be a man of the world we must view that world in every grade and in every perspective.

O woman! woman! thou shouldest have few sins of thine own to answer for! Thou art the author of such a book of follies in a man that it would need the tears of all the angels to blot the record out.

In early youth, if we find it difficult to control our feelings, so we find it difficult to vent them in the presence of others. On the spring side of twenty, if anything affects us, we rush to lock ourselves up in our room, or get away into the street or the fields; in our earlier years we are still the savages of nature, and we do as the poor brutes do. The wounded stag leaves the herd; and if there is anything on a dog's faithful heart, he slinks away into a corner.

In families well ordered, there is always one firm, sweet temper, which controls without seeming to dictate. The Greeks represented Persuasion as crowned.