There is no tongue that flatters like a lover's; and yet, in the exaggeration of his feelings, flattery seems to him commonplace. Strange and prodigal exuberance, which soon exhausts itself by flowing!

Better than fame is still the wish for fame, the constant training for a glorious strife.

Nothing but real love--(how rare it is; has one human heart in a million ever known it?) nothing but real love can repay us for the loss of freedom--the cares and fears of poverty--the cold pity of the world that we both despise and respect.

Love is the business of the idle, but the idleness of the busy.

The imagination acquires by custom a certain involuntary, unconscious power of observation and comparison, correcting its own mistakes, and arriving at precision of judgment, just as the outward eye is disciplined to compare, adjust, estimate, measure, the objects reflected on the back of its retina.

To the thinker, the most trifling external object often suggests ideas, which, like Homer's chain, extend, link after link, from earth to heaven.

Oratory, like the drama, abhors lengthiness; like the drama, it must keep doing. It avoids, as frigid, prolonged metaphysical soliloquy. Beauties themselves, if they delay or distract the effect which should be produced on the audience, become blemishes.