I know sage, wormwood, and hyssop, but I can't smell character unless it stinks.

Hardly a book of human worth, be it heaven's own secret, is honestly placed before the reader; it is either shunned, given a Periclean funeral oration in a hundred and fifty words, or interred in the potter's field of the newspapers back pages.

What is most appalling in an F. Scott Fitzgerald book is that it is peopleless fiction: Fitzgerald writes about spectral, muscledsuits; dresses, hats, and sleeves which have some sort of vague, libidinous throb. These are plainly the product of sickness.

Evil, which is our companion all our days, is not to be treated as a foe. It is wrong to cocker vice, but we grow narrow and pithless if we are furtive about it, for this is at best a pretense, and the sage knows good and evil are kindred. The worst of men harm others, and the best injure themselves.

Recognize the cunning man not by the corpses he pays homage to but by the living writers he conspires against with the most shameful weapon, Silence, or the briefest review.

A strong foe is better than a weak friend.

Look at this poet William Carlos Williams: he is primitive and native, and his roots are in raw forest and violent places; he is word-sick and place-crazy. He admires strength, but for what? Violence! This is the cult of the frontier mind.