Our sense that things are transient, that everything is passing and then if you want to save something from the endless flux of experience and the world's movement, you have to set down a stake and try and make something that will last.

One, something emotional has to be at stake. There has to be something important for me that I'm writing about. And then two, I have to have a formal idea. Something has to be being worked out in poetry.

So, the result though is by the time I've got something, it's been worked over so many times that although I do make changes as the end, often by the time I've gotten it, it's pretty much completed.

The way to become a poet is to read poetry and to imitate what you read and to read passionately and widely and in as involved a way as you can.

I have the idea that lyric poetry is a poetry that's driven by a sense of the presence of death. That there's something unbearable about the fact that we're going to die and that we can't stand it and I think you find that out in childhood and you don't really - at least I found it out in childhood and I found it hard to get over.

I think there are different kinds of poetry for different stages of life and there's the wild, exuberance of youth, there's the painful agony of midlife experience, there's the late poetry in the presence of death.

The poets needed to learn to pay greater attention to character and to narrative.