Then I found another one, grandpa's poem. It turned out it had been written by Emily Brontë and it wasn't my grandfather's poem at all, although my response to it, I think, was pretty much the same, I just had the author wrong.

The great post-Holocaust poet, Paul Celan, said that a poem is a message in a bottle sent out in the not always greatly hopeful belief that somewhere and some time it would wash up on land on heartland perhaps.

I wish I wrote drafts and then revised them, but I don't. What I do is I seem to revise as I go.

Readers bring their own experiences, their own range of - their own wisdom, their own knowledge, their own insights to poem and the meaning of a poem takes place in the negotiation between the poet, the poem and the reader.

You can seek clarity, you can seek warmth, you can try to make something for lasting. You can pack something in salt so that it's well made and you can hope that it outlasts time. But, ultimately that's not up to you.

Books and newspapers assume a "common reader" that is, a person who knows the things known by other literate persons in the culture. Obviously, such assumptions are never identical from writer to writer, but they show a remarkable consistency

I think fiction goes to poetry for the intensity of its use of language.