Poetry is engendered in solitude, so what better meter for it than the clip of a buckskin horse?

Man is different from animals in that he speculates, a high-risk activity.

Suicidal thinking, if serious, can be a kind of death scare, comparable to suffering a heart attack or undergoing a cancer operation. One survives such a phase both warier and chastened. When-ten years ago-I emerged from a bad dip into suicidal speculation, I felt utterly exhausted and yet quite fearless of ordinary dangers, vastly afraid of myself but much less scared of extraneous eventualities.

Once I climbed into a mountain lion's cage and she bounded at me and put her paw on my face, but she kept her claws withdrawn.

Animals used to provide a lowlife way to kill and get away with it, as they do still, but, more intriguingly, for some people they are an aperture through which wounds drain. The scapegoat of olden times, driven off for the bystanders sins, has become a tender thing, a running injury. There, running away is me: hurt it and you are hurting me.

The novelist screws up his courage in order to invest another two or three years in another attempt to float a boat of original design upon an invented ocean.

There is a time of life somewhere between the sullen fugues of adolescence and the retrenchments of middle age when human nature becomes so absolutely absorbing one wants to be in the city constantly, even at the height of summer.