In drama, I think, the audience is a willing participant. It's suspending a certain kind of disbelief to try to get something out of a story.

If you feel like someone just knows what this is about to their core, they're going to have that special confidence in it.You stop looking at the seams and they start inhabiting the same space and start interacting with each .

I think it's a total fallacy for people to say, "You couldn't make those old movies today." I think there's more ways to get a movie made today than ever in the history of the entertainment industry. It's a very exciting time to work in movies, if you're a creative person looking to make a very personal, weird vision.

You never make all things for all people and can't always pander to the broadest denominator. I keep an eye toward doing the themes that interest me. Do they move me? Interest me? Make me think? When I run across something that is provocative in an unsettling way, it appeals to me.

You can't control everything that comes to you.

But at the same time, the film industry just got torched. The risk tolerance for the types of movies we're talking about is lower, and the reason for that is that the captains of the industry were asleep at the switch when their core business was being disrupted. And they're never getting it back. In a way, it makes it all the more exciting when the good ones get through.

I like it when the deeper you go with the character, the more you see the layers start to peel away.