I've been friends with the guys in Radiohead for a lot of years, and I watch the way those guys work with incredible envy. Because whatever the slings and arrows of dealing with the record business, at the end of the day, they have total creative autonomy. They don't need a lot to do what they do, and Thom [Yorke] and Jonny [Greenwood] and the guys have their own joint in their hometown.

Duality is not a story. Duality is just a complexity.

I like to get into a lot of things besides movies. I've been very involved with a few specific efforts. We built this park in New York and it's been a very successful project... I worked on a conservation project in East Africa... Too much of this type of stuff can get you wrapped up in your own work and I love it.

I've always liked the idea of taking old dramatic ideas and devices and making them feel relevant or contemporary or whatever.

You dream as an actor's director of letting moments breathe through two-shots.

If Nick Broomfield never found anyone with affection for Courtney Love, it's only because he conspicuously avoided the countless friends, colleagues and fans who appreciate her talent and admire her as a person. But then, why would Broomfield have opened up his film to those of us who work with Courtney and are close to her when there are so many bitter left - behinds and desperate attention - seekers eager to validate his attack on her character? Inquisitors in every age, scared of forceful women, have used all kinds of half - baked testimony to whip up chants of 'Burn the witch!'

There are so many people who are conscientious and caring about others. I've spent time working in countries where I really noticed the absence of civic concern, care for other people. I've been in other countries where I feel a palpable, almost tooth-and-claw attitude between people - Machiavellian, me and mine. And you can take for granted being here, with all the bloviating and the media, on a day-to-day level, people in this country are really pretty concerned for each other.