I do find myself drawn more to pieces that I feel are wrestling with the way that we're living now, what we're all going through.

I'm pretty busy in my life and I'm very aware of what it takes to direct a movie. It takes a lot out of you; it takes a lot out of the rest of your life, from other people in your life. I don't lie around hungering for that consumption very often.

My generation is having its midlife crisis in its 20s.

I've always thought of acting as more of an exercise in empathy, which is not to be confused with sympathy. You're trying to get inside a certain emotional reality or motivational reality and try to figure out what that's about so you can represent it.

For Keeping the Faith, I looked at [George ] Cukor's old films like The Philadelphia Story, stuff that's hilariously funny and really smart with a cutting critique in the humor, too. With this, when I read it, I was laughing a lot.

The best films of any kind, narrative or documentary, provoke questions.

I don't get much out of doing a red carpet.