I do find myself drawn more to pieces that I feel are wrestling with the way that we're living now, what we're all going through.

But look at Avatar (2009), one of the most globally viewed pieces of entertainment to have ever been made - the central emotional event of the whole movie was a tree being cut down. And the entire movie, essentially, is saying, "If we let the military industrial complex trash the place that we're living in, we will have committed an epic crime."

In a very philosophic sense I think doing the work is itself a good thing. But at the end of the day, since we're taking other people's shekels to do it, and their work is being able to make a return out of it, it forces you to consider the fact that you're doing it for other people. The whole construct is built around the assumption that it's going to get shared, and that someone else is going to find value in it - entertainment, catharsis, enlightenment, or whatever.

Sometimes creativity is a compulsion, not an ambition.

I've always liked the idea of taking old dramatic ideas and devices and making them feel relevant or contemporary or whatever.

You know, independent films have been institutionalized, practically. Every studio has got a boutique arthouse label. There's like, 18 different independent film-financing funds. In fact, I think the children of those films are getting made. A more interesting question is whether those films are going to get seen and appreciated.

I remember as a kid having the offer of a scholarship, that it was going to be like going to Mars, and deciding to stay in my public school.