With Edward Norton you'd never say, "This is the one we're going with whether you like it or not." It has to be agreed upon.

Remarkably, there's no green screen in 'Leaves of Grass' movie. There is motion control. Technically, there were all sorts of challenges, but really the soul of it is Edward Norton talent. You write these characters when you write a movie, and all you can hope for or depend on is that your actors will elevate the material.

I'm not a very methodologically pure actor. Almost every time that I start, I feel completely at sea. Always at the beginning I feel like a fraud, really, because I'm never sure how to get started.

There are tens of thousands of charities and hundreds of thousands, getting towards millions, of people now using it. And when I flip through it, I'm just blown away by people.

Sometimes we don't see certain things until we're ready to see them in a certain way.

But work that's got real substance does make people feel, "There's someone else out there who relates to my experience, or who just helped me understand my own experience a little bit better." And I think that's still got enormous value.

I think we really feel like Crowdrise could be something that, 20 years from now, people take for granted because that's just how you do it, like if you're going to raise money for something, that's how you do it.