My friends and neighbors were always fixing their cars. Soldiers who felt restless wanted to work on something, and they understood cars. Me, I like to look at cars but I was never really a mechanic.

I believe in intuition and approaching things as instant gratification. Just do the things you want to do, make the kind of pictures you want to make.

I just use [the camera]. I just pick it up like an axe when I've got to chop down a tree. I pick up a camera and go out and shoot the pictures I have to shoot.

Traveling is irritating to me, but not driving. Going to the airport makes me nervous, but when I set out to just take a leisurely drive, it's blue skies and puffy clouds and time.

All my artistic response comes from American things, and I guess I've always had a weakness for heroic imagery.

I knew I wanted to be some kind of artist from about 12. I met a neighbour who drew cartoons, and I had an idea I wanted to be a cartoonist - or something that involved Indian ink, at any rate.

A lot of abstract painters seem to be doing everything all at once now. And so these different styles are jibing and not so jibing, and they're clashing. But they all seem to be working in their own domain. Whereas back in the '60s, man, it was kind of a dull world. It was a vital world. But it was kind of contained and not too recognized by the public. Now art is absolutely recognized by the public.