[Roots of terrorism] come out of a long dialectic of U.S. involvement in the affairs of the Islamic world, the oil-producing world, the Arab world, the Middle East - those areas that are considered to be essential to U.S. interests and security.

Ideas, cultures, and histories cannot seriously be understood or studied without their force, or more precisely their configurations of power, also being studied.

The people who perpetrated the terror of the World Trade Center and Pentagon bombings are something different because these people were obviously not desperate and poor refugee dwellers. They were middle class, educated enough to speak English, to be able to go to flight school, to come to America, to live in Florida.

It [destroying Twin Towers] was a leap into another realm - the realm of crazy abstractions and mythological generalities, involving people who have hijacked Islam for their own purposes. It's important not to fall into that trap and to try to respond with a metaphysical retaliation of some sort.

My argument is that history is made by men and women, just as it can also be unmade and rewritten, always with various silence and elisions, always with shapes imposed and disfigurements tolerated.

What is quite worrisome is the absence of analysis and reflection. Take the word "terrorism." It has become synonymous now with anti-Americanism, which, in turn, has become synonymous with being critical of the United States, which, in turn, has become synonymous with being unpatriotic. That's an unacceptable series of equations.

If you look at the curricula of most universities and schools in this country [USA], considering our long encounter with the Islamic world, there is very little there that you can get hold of that is really informative about Islam. If you look at the popular media, you'll see that the stereotype that begins with Rudolph Valentino in The Sheik has really remained and developed into the transnational villain of television and film and culture in general.