Clouds, torsos, shells, peppers, trees, rocks, smoke stacks, are but interdependent, interrelated parts of a whole, which is life.

This then: to photograph a rock, have it look like a rock, but be more than a rock.

I would say to any artist: Don't be repressed in your work, dare to experiment, consider any urge, if in a new direction all the better.

It seems so utterly naive that landscape - not that of the pictorial school - is not considered of "social significance" when it has a far more important bearing on the human race of a given locale than excrescences called cities.

Why limit yourself to what your eyes see when you have an opportunity to extend your vision?

A lifetime can well be spent correcting and improving one's own faults without bothering about others.

The creative force in man recognizes and records these rhythms with the medium most suitable to him, the object, or the moment, feeling the cause, the life within the outer form. Recording unfelt facts, acquired by rule, results in sterile inventory. To see the Thing Itself is essential: the quintessence revealed direct without the fog of impressionism - the casual noting of the superficial phase, a transitory mood.