If a woman is worth remembering,' said my grandmother, 'there is no need to have her name carved in letters.

Napoleon had been fighting this army of slaves and free people in Haiti and it depleted his forces. And after the Revolution, when the French were driven out, they stopped and sold this big chunk of North America to the Americans for very little money.

I remember reading an interview with a writer who said that in nonfiction if you have one lie it sort of messes it up. But in fiction the real details give you so much more credibility, because people do so much research just to write fiction. In fiction you're trying to recreate something lifelike.

It's not easy to start over in a new place,' he said. 'Exile is not for everyone. Someone has to stay behind, to receive the letters and greet family members when they come back.

Language is such a powerful thing. After the earthquake, I went to Haiti and people were talking about how [they] described this feeling of going through an earthquake. People really didn't have the vocabulary - before we had hurricanes. I'd talk with people and they'd say, "We have to name it; it has to have a name."

I come from a place where breath, eyes, and memory are one, a place from which you carry your past like a hair on your head. Where women return to their children as butterflies or as tears in the eyes of the statues that their daughters pray to

I think it is important to reach people through arts and literature, because then you establish a connection that's not an instant crisis.