That has always been a strength of Haiti: Beyond crisis, it has beautiful art; it has beautiful music. But people have not heard about those as much as they heard about the coups and so forth. I always hope that the people who read me will want to learn more about Haiti.

The justification - the idea that we have a right to invade another country and determine another people's destiny - is frightening. And I fear really for the future of that occupation. What happens now, and twenty years from now, and forty years from now, given our case? People in the United States may feel like when we don't see it on CNN twenty-four hours a day, it sort of disappears. But it doesn't disappear for the people who have to live under occupation - and their children and their children's children.

The whole military structure in Haiti that existed until the early 1990s was put in place by the American occupation. At the top there were Southern white officers, who led an army that crushed the indigenous resistance - the cacos. A high-ranking U.S. officer said when he arrived, "To think these niggers speak French!" Later, Haitian officers attended the notorious School of the Americas at Fort Benning. The threat from the U.S. is something that is always hanging over people's heads: If we don't behave, we'll have occupation again.

I think it is important to reach people through arts and literature, because then you establish a connection that's not an instant crisis.

Whole interaction between the storyteller and the listeners had a very powerful influence on me.

Or even the state of Florida, where they are prepared to execute children. Umm, well, you hope that at least that there is something there to be claimed.

It's not easy to start over in a new place,' he said. 'Exile is not for everyone. Someone has to stay behind, to receive the letters and greet family members when they come back.