I don't know what will happen to the physical book and what it will mean for authors. I worry whether it will mean people can still make their careers this way. Will whatever comes next allow people to be able to own their ideas and be able to take time to develop them?

I think it's hard to write a book about happiness because fiction requires tension and complication.

Napoleon had been fighting this army of slaves and free people in Haiti and it depleted his forces. And after the Revolution, when the French were driven out, they stopped and sold this big chunk of North America to the Americans for very little money.

The people did not elect me. I speak with one voice that may echo other people, but I am part of a group of people. That's not distancing yourself from a community, that's also allowing the space for others to speak for themselves.

I think all artists are looking for a subject or are sometimes unsure of their subject, but immigrant artists bring another culture to that and they bring also the place where the original culture meets the new culture.

The past is like the hair on our head. I moved to New York when I was twelve, but you always have this feeling that wherever you come from, you physically leave it, but it doesn't leave you.

There are many possible interpretations of what it means to create dangerously, and Albert Camus, like the poet Osip Mandelstam, suggests that it is creating as a revolt against silence, creating when both the creation and the reception, the writing and the reading, are dangerous undertakings, disobedience to a directive.