I'm always trying to make the music sexier with every album, every tour. I just try to inch my way toward just a little sexier. I know it's tough for me.

Human beings really are this virus upon the earth, and the earth's running a fever, you know? If you step away from that kind of inherent human sentimentality and just look at it neutrally, the universe is neutral morally.

A big part of making a good record is really getting a vibe, and a vibe is a mysterious thing. The vibe kind of exists in the air in the room. It's not just all the stuff you put on there, and the specific notes and arrangements and all that. That's like half of it. The other half is just the air, and just the spirit.

The beauty in the death that awaits us, I find a timeless beauty in that.

The live thing is separate from the record for me. I have to figure out a way to make the songs work live. It's always going to be different than it is on a record, because every record I've made, there are people playing parts on there that are not going to be coming on tour with me. As much as still feeling connected to it, it's more like rediscovering.

I think it happens to a lot of people who make music just on a computer by themselves, you don't see the bigger picture. You don't see the forest for the trees. You're looking at every tree so closely, and every tree looks so cool. But you're making a forest, man, you're not making a tree.

I'm always trying to make the music sexier with every album, every tour. I just try to inch my way toward just a little sexier. I know it's tough for me.