I hate the word mentor, the professionalization of friendships between generations. I just feel like the fact of friendship is the thing we all adored, like the younger befriends or reaches out to their hero, and for me, whenever you meet some younger person, who has a fire in their gut, a way of being in the world, it excites you.

I think poets are supposed to be writing for television and film. I grew up in the day of early TV that was so raw and funny, and I think we're in the next important moment of television, where it's really telling the epic of the culture like Charles Dickens was doing in the 19th century with his serialized novels.

Urban nature is like living with mass conditions. It sometimes feels like a myth & you are its scribe.

I always think of childhood as the inarticulate moment, and you have your little camera. You were filming it, recording it, you just didn't know how to speak it.

The poet’s life is just so much crenellated waste, nights and days whipping swiftly or laboriously past the cinematic window. We’re hunched and weaving over the keys of our green our grey or pink blue manual typewriter maybe a darker stone cold thoritative selectric with its orgasmic expectant hum and us popping pills and laughing over what you or I just wrote, wondering if that line means insult or sex. Or both. Usually both.

Art feels like it has this frame, and it's either outside or inside.

I really just love reading. It's my favorite thing, performing my poems live.