I think poets are supposed to be writing for television and film. I grew up in the day of early TV that was so raw and funny, and I think we're in the next important moment of television, where it's really telling the epic of the culture like Charles Dickens was doing in the 19th century with his serialized novels.

I hope you all find yourselves sleeping with someone you love, maybe not all of the time, but a lot of the time. The touch of a foot in the night is sincere. I hope you like your work, I hope there’s mystery and poetry in your life — not even poems, but patterns. I hope you can see them. Often these patterns will wake you up, and you will know that you are alive, again and again.

Poetry is my politics. It's an opportunity that gives me a way to speak.

People loved to talk about how Frank O'Hara didn't really care about getting published. That doesn't jibe with my experience.

I wonder, would I have transitioned from female to male if I was 30 years younger? Possibly. But if I had been born even 30 years later, because it seems like the technology will only get better, it seems like one might not ever need to settle down at all.

I think poets are supposed to be writing for television and film. I grew up in the day of early TV that was so raw and funny, and I think we're in the next important moment of television, where it's really telling the epic of the culture like Charles Dickens was doing in the 19th century with his serialized novels.

As a reader I feel included a lot in Julie Carr’s hard and beautiful book. I can pretty much hear its author speak—a whispering that enables us into its world . . . a masterfully sutured journey, painfully useful. Sarah—Of Fragments and Lines is a book I know I will return to. And urge it on my friends who have lives too and write in them.