I'm not really one of these people who's been known for particularly hopeful sentiments.

Just when you think you should start accepting that you're becoming an adult, all your childhood fantasies come true.

You can't turn back technology and you can't turn back authoritarianism. You can't have one hand in the dirt and one hand in the crystal clear water and say that you're clean. That's just the way it is.

Everyone just wants to feel good, and I don't think that all music is designed to make you feel good. Sometimes it's to make you feel amped, or angry, or nervous. I was listening to a lot of Public Enemy when I made the record.

There's something in the German language that makes you feel like you're getting a hug and a backstab at the same time.

My father was a musician, and I've always loved writing. I grew up in New York City during a time when hip hop music was surrounding you with the hip hop culture, and it felt natural. I was a really huge fan of the music.

Any issue and any problem, no matter what height you look at it from, no matter how much you extend past the first fractal, it's still a fractal of something that emanates from within your consciousness - from within the human consciousness. And it'll move on and manifest itself externally, and then those are what we pick up as societal ills. But all these battles we're fighting are internal. For me, it's reconciling hope with dread and trying to cut out some place in my mind where my heart can be protected a little bit.