I'm not really one of these people who's been known for particularly hopeful sentiments.

Trying to separate myself from my instincts of pessimism and cut out and define what it is that I really do love, what I'm here to be, why I'm here, and what I think is worth being alive for and fighting for. And those things change, but I think that that's something I am always chasing.

If you are a good writer you use your life experience to do something different than someone who is 20-years-old can do. That is where you get your power. That is our power as a group. I am not trying to make the same music I made 10 years ago.

I am trying to change hip-hop music because I do feel there are places people can go with production and the structure of an album that they haven't gone yet. But, like I said, I don't have any delusions of grandeur. I just want to make music that doesn't make me bored.

I would feel pretty embarrassed if I was doing what I do and I wasn't at least attempting the eloquent translation of the human experience in some way.

My relationship to Brooklyn is probably the relationship that any 40-year-old man has to his hometown, which is that this is where I live, this what I know, yet it's different, it's changed. My fascination with the city has maybe subsided and now it's just where I'm from, where I live.

There's a segment of this world, there's a mind state that's permeated the intellectual consciousness of this world that comes from a certain type of people that looks at me and you and your average individual as a problem - like a blight on an otherwise potential paradise, something that needs to be cured.