I am trying to change hip-hop music because I do feel there are places people can go with production and the structure of an album that they haven't gone yet. But, like I said, I don't have any delusions of grandeur. I just want to make music that doesn't make me bored.

There's something in the German language that makes you feel like you're getting a hug and a backstab at the same time.

Everyone just wants to feel good, and I don't think that all music is designed to make you feel good. Sometimes it's to make you feel amped, or angry, or nervous. I was listening to a lot of Public Enemy when I made the record.

I do these records. All of these ideas that I have, that I put out there, that inspire me to write, are a purging in a lot of ways. I have to expel them in order for myself to walk around and actually smile and be a regular, or a living, person.

You've gotta be an outsider a little bit to shake yourself loose from the mill, the "machine." In order to even cut the space in your life to pursue what most people literally cannot afford a moment to pursue. So, yeah. I think that not only is that the role of the artist, but it might be a requirement.

Maybe my great struggle, and it's probably not anything different from too many other people, but it certainly is what drives the music, is a hugely internal one.

People are very afraid. In my country, you had a corrupt party who sabotaged an amazing candidate Bernie Sanders who was stronger than the other. Had Sanders faced Trump even more young people - from black millennials to the gay and lesbian community - would have voted because he represented them at his core. Fear drove the American vote, because if you're choosing from two devils like Hillary and Trump then you're more likely to end up picking the one who is cooler and makes you laugh.