I think you get to a certain point in your life and where you grew up stops reminding you of when you grew up. Everything changes, everything metamorphosizes.

My relationship to Brooklyn is probably the relationship that any 40-year-old man has to his hometown, which is that this is where I live, this what I know, yet it's different, it's changed. My fascination with the city has maybe subsided and now it's just where I'm from, where I live.

At a young age, I really wanted to make music and make my own sort of thing. I'm sure if it wasn't music, it would have been writing, or it would have been maybe painting. I just always had the drive to try and make something with my hands and to just pull something out of myself and shape it and see it in front of me, if that makes any sense.

I think that everyone who does music, and everyone who does art, or everyone who decides at a young age that they're gonna do that, is someone who feels like an outsider. The world is not really set up for that.

No doubt, there are times when I'm like "We have all gotten really used to saying whatever the f - k we want to say," and it's something that I really take seriously, whatever that may be.

I wanted people to know that I was making what I was making just on a sampler, basically.

I couldn't really be a part of high school, because I have a terrible time doing things that I don't want to do. I'm not good at it. It's not even like, I'm a rebel. I'm just bad at it, you know?