In Chicago, if you tell someone you're a writer, they look at you suspiciously - as if to say "yeah, right." In New York, people don't question the idea. If you say you're a writer, that's what you are.

I can never plan out what direction my poems will take in terms of either form or content. I wish I could but it doesn't work that way for me. If I try to write something, I'd probably end up doing the opposite.

I never liked the philosophy that you can have everything and be everything and that something is wrong if you don't want that. I'm terrible at multitasking and find it hard to believe that no one protests this general trend of using the rhetoric of self actualization to sell you faster and faster phones and computers, BlackBerrys, etc.

When I think of someone equating poems and machines, it makes me feel like that person would like poems to have a more obvious use value in society. They're not happy with poetry being this ephemeral, indefinable thing. They want it to be "real."

I don't write every day, but if I go more than a couple of months without writing, I begin to get a little nervous. I usually have bursts of poems. Five or six come together and then I slack off and want to do something else.

In Chicago, if you tell someone you're a writer, they look at you suspiciously - as if to say "yeah, right." In New York, people don't question the idea. If you say you're a writer, that's what you are.

I like being married to another writer. You get to trade ideas. You get to talk shop. You get to complain. You get to gossip. And you don't have to explain why you're in such a bad mood when your work isn't going well.