Gertrude Jekyll, like Monet, was a painter with poor eyesight, and their gardens - his at Giverny in the Seine valley, hers in Surrey - had resemblance's that may have sprung from this condition. Both loved plants that foamed and frothed over walls and pergolas, spread in tides beneath trees; both saw flowers in islands of colored light - an image the normal eye captures only by squinting.

Gertrude Jekyll, like Monet, was a painter with poor eyesight, and their gardens - his at Giverny in the Seine valley, hers in Surrey - had resemblance's that may have sprung from this condition. Both loved plants that foamed and frothed over walls and pergolas, spread in tides beneath trees; both saw flowers in islands of colored light - an image the normal eye captures only by squinting.

I have spoken to plants myself, and if pressed for conclusions would have to say that those I threatened did better than those I - well, I wouldn't say prayed over, but pleaded with, cajoled. A rhododendron that hadn't bloomed for six years was flatly told it would be removed the following year if there were no flowers. Need I say that it has bloomed profusely ever since?

Or perhaps you notice a congregation of ladybugs on a rose stalk. Don't invoke the old nursery saying and ask them to fly away home. Their house is not on fire. Your roses are, with aphids, which the ladybugs are feeding on - and you can bless yourself that they have come to your rescue.

A garden is a private world or it is nothing.

I love blue more than any other color. I am inordinately attracted to any blue substance: to minerals like turquoise and lapis lazuli, to sapphires and aquamarines; to cobalt skies and blue-black seas; Moslem tiles - and to a blue flower whether or not it has any other merit.

To see things in black and white is to see the basics, and I would recommend to any designer of gardens that he go out and look at his work by the light of the moon.