I do not want to have the feeling of writing "for eternity," so to speak.
Vice is basically the love of failure.
Trust is fine, but control is better.
My plays are made up of long monologues, which is similar to prose working with the language
Every day, a piece of music, a short story, or a poem dies because its existence is no longer justified in our time. And things that were once considered immortal have become mortal again, no one knows them anymore. Even though they deserve to survive.
The first thing a proprietor learns, and painfully at that, is: Trust is fine, but control is better.