Anytime you make a movie, the goal is a wide theatrical release, with the right distributor.

The film, 'Aftershock,' for me is really about how the minor problems in life that we think are so major ultimately mean nothing when a tragedy happens, when a real problem happens.

I love historical movies. I want to make a violent medieval epic.

You do need an outlet to release all of those fears. You build it up and then, when you go to a movie theater, it's the last place that it's socially acceptable to be terrified. It's saying that, for the next 90 minutes, you're allowed to be afraid and you're not a coward for feeling that way.

I always say that no matter what the torture is, or the tool is, first of all it's nothing worse than what's been done already and that wasn't done by the church and the state for over a period of 250 years during the European witch trials.

You can pretend everything's fine, but if there's an unhappiness or you're not having sex or you're not communicating or you're made to feel third best in the house and you don't address it and you just try to put on a nice face and a smile, that kind of aggression and anger is going to come out in some sinister way.

One of the great joys of life, now that you can afford a nice suit, is getting one for free. That's why I like to do press tours - I always say making movies is just an excuse to get free clothing.