What is important to me is that people know I respect the business of making movies.

Once I got over the fear of writing female characters, it actually came quite easily and I was really happy with it. I just thought about girls I knew really, really well and I'd just have conversations with them and tried to relay how they talk about certain things.

I think characters are most terrifying when they're relatable. It's best when your most horrible characters make sense, and are believable. That's when a movie is most terrifying.

I think that many people are ashamed when they feel afraid. There's this thing in our society that you're not allowed to feel scared. You have to be a man and put on a brave face, but we all have fears.

I've always wanted to be involved in an exorcism movie. But I thought, "How do you make something scarier than The Exorcist?" The answer is you don't. But that doesn't mean you can't make something that is original and interesting.

Quentin Tarantino assistant called me and said: "I have good news and bad news. The good news is you got the part, the bad news is you have to do it." I was like: "Oh Jesus, when am I supposed to do this?" I was prepping Hostel.

You know, I'm from Boston, and in Boston, you are born with a baseball bat in your hand.