Movie stars need to retain some of that mystique if you are a big movie star.

I've always been a fan of 3D, going back to movies in the '50s. I was part of the early '80s 3D craze, which was coming at you in Jaws 3D, so I've always wanted to make a 3D film.

I want people to see my name on a movie, pay money and know they're going to be entertained for 90 minutes.

I think in a post-9/11 world, with the images coming back from Iraq, everybody knows more and more people who are going over there... the images on the YouTube phenomenon where the violence is so immediate. Direct people need something stronger to respond to. I think that there's definitely a wave of directors - who are labelled the splat pack - who really, really care about making great scary movies.

Imagine trying to relive your worst break-up, your worst fight, the most painful death of a loved one, and just really relive it step by step, and bring it up and apply it to the scene you're in.

With 'Hostel II' I thought I had a very, very strong female audience so I'm going to make a movie that's going to appeal to them. The guys will love it, they'll have their moments. But there'll be a lot more male nudity in this one. I have a lot of sausage in this one!

I want to have an ending where people say: "That's the most shocking ending I've ever seen in a mainstream horror film."