Eli Wallach Quotes

I've worked with wonderful actors like Marlon Brando and Henry Fonda.

I always wanted to tell stories and act.

Having the critics praise you is like having the hangman say you've got a pretty neck.

I never dreamed I would do Westerns.

I've learned that life is very tricky business: Each person needs to find what they want to do in life and not be dissuaded when people question them.

But Clint I love, because Clint was my mentor. I knew nothing about making an Italian movie.

I'd come out of the army after five years as a medic. I was a medical administrator and we ran hospitals, and I was a Captain in the Army at the end, in 1945.

And that movie was underrated - Nuts - because it deals with a terrible subject, but It's very well done.

Everyone thinks acting is easy. It's far from easy, but it's the most gratifying thing I do.

The richest man is the one with the most powerful friends.

And I did Batman, too. I did Mr. Freeze. I get more mail for him than anything I've ever done.

The big secret in acting is listening to people.

I was an original member of the Actors' Studio.

Fifty million dollars is not to be sneezed at. Of course, I never catch cold.

My first Western was called The Magnificent Seven.

But I went to the University of Texas in the 30s, and while there I learned to ride. Mostly polo ponies.

John Huston was a superb master. He knew how to make good films. I did three things with him. One is called Independence. It plays in Philadelphia, for free. It's been playing there for 25 years.

Recipe? Recipe? We don' need no stinkin' recipe.

Even if I don't want to slow down, I'm slowing down.

I've never lost my appetite for acting; it's innovative and challenging.

No, I never thought of it in those terms. I used to go into agents' offices and they'd have pictures of these handsome movie men and I knew I'd never be up there. I'm a journeyman actor. I didn't think about stardom.

In the book, I tell the story of seeing old movies when I was young and acting out scenes at home. Now I get scripts, and I act them out.

What is it in my makeup that makes me grab any offer and fly around the world? Will I ever be satisfied? Can't I ever just rest?

I love to tell stories and this is my way of getting them down on paper.

I always end up being the evil one, and I wouldn't hurt a fly.

Well, I go to the theater today, and its curtain - there is no curtain in this play; the lights go down and go up - and we start. And I live this character for two hours. There are only two of us in the play. And It's a complete experience.

From the age of four or five. I went to see a lot of Westerns then. But it was silent movies and I loved everything that happened then.

Well, I was getting a lot of money then, and I wasn't getting any Hollywood films, so I just did those. I'd always do a play in between. Whenever I ran low on funds, I'd always rush off to do a movie somewhere.

I met my wife and, for the next ten years, we did no films at all. She did the first movie and then I did several after. My first movie was written by Tennessee Williams and directed by [Elia] Kazan and was called Baby Doll.

So I wanted to show what I did with the money. So I got red silk shirts, beautiful hats, wonderful saddles, a great horse, and two gold teeth. So that was the way I did it.

If you work for a living, why do you kill yourself working?

Well, I've maybe gotten 200 requests for interviews about Marilyn, and I just decided I'm gonna do my own.

My wife says that stage acting is like being on a tightrope with no net, and being in the movies, there is a net - because you stop and go over it again. It's very technical and mechanical. On stage you're on your own.

When you have to shoot, shoot, don't talk.

All of these stories bounced around in my mind for a long time.

One thing changes every evening: It's the audience, and I'm working my magic. I'm always learning from it.

I don't act to live. I live to act.