You have no idea how fragile an actor's self-worth is.

I gave my life to the Group Theatre, because in it I'm building something for myself. What I build, I am.

You've got to keep fighting; you've got to risk your life every six months to stay alive.

I was not a collective person or a bohemian; I was an elitist.

The physical life of the scene is determined by whether the set squeezes people together or whether the set has an escape place in it.

A good director's not sure when he gets on the set what he's going to do.

Anybody who informs on other people is doing something disturbing and even disgusting.