The makers of entertainment must try, in our field, to be honest and grown-up.

I was the true future. I understood Communism better than they did.

I was the hero of the young insurgent working class art movement.

I was not a collective person or a bohemian; I was an elitist.

The motion pictures I have made and the plays I have chosen to direct represent my convictions.

I would rather do what I did than crawl in front of a ritualistic Left and lie the way those other comrades did betray my own soul.

A good director's not sure when he gets on the set what he's going to do.