There are a lot of questions that come out of the silence. It is so close to the infinite.

To think that we are disconnected in some way serves the occupation whether it's through indifference or a distancing. It is a colonial approach of making you a subject and them the spectators. That is disturbing and counterproductive. And then suddenly they are surprised or find it alienating that the microcosmic effects of Palestine are happening in the U.S., France, and England, whether it's from the Islamic movements or immigration factors. Keeping a false purity of their countries will harm them eventually.

I am more at peace than I've ever known myself to be. My connectedness to the world is more intense. I am more attentive to the humanity around me.

I don't want what you see on the screen to just be a brief notion of pleasure but something that lingers. The idea is to have the images revisited. I want it to be something that also enhances the soul. I want the moment of pleasure to produce an attachment.

Living more intensely, more lovingly, with more camaraderie, that is in itself resistance.

To think of a film from the point of view of a tank barrel is already so inhumanly positioned. This is when film can reveal itself scandalously.

Silence can be intimidating, sometimes provocative, sometimes a form of resistance because it dislocates.