I'm not in the business of saying just one thing about just one place. If you only see Palestine in my films, then I've failed because then I'm just a provincial filmmaker.
Elia SuleimanSomeone like myself is not from one place. I am in total identification with the New York, French, and Palestine experience and do not stop at the borders of identity.
Elia SuleimanIf a person just takes what is socio-political and geographical from the themes of my films then that's not enough. But if the person goes out of the theatre and, for example, makes the dinner he's eating later on, extra nice then I feel that I have succeeded. We have this urge to anaesthetize the moment we're living in.
Elia SuleimanTo think that we are disconnected in some way serves the occupation whether it's through indifference or a distancing. It is a colonial approach of making you a subject and them the spectators. That is disturbing and counterproductive. And then suddenly they are surprised or find it alienating that the microcosmic effects of Palestine are happening in the U.S., France, and England, whether it's from the Islamic movements or immigration factors. Keeping a false purity of their countries will harm them eventually.
Elia SuleimanI do not teach history in my films. I don't have a linear point of view or argument. What I do in my films is to live the human experience; human, whether in Nazareth or anywhere else in the world.
Elia SuleimanPalestine is about how we drink the water, whether we are being ecological or not. Palestine is our way of exercising our daily living. That's what's going to solve the problem of Palestine. It's also how we think of ourselves spiritually. This kind of disconnectedness is harmful to the person who is acting that way and is sometimes annoying.
Elia Suleiman