[Sundance] still feels like an incredible place for championing emerging voices and art.

I suppose I've been working for a long time, so I've seen all kinds of filmmaking. I can fit into anything, and it doesn't feel that weird or that fascinating.

[Sundance] still feels significant. I don't think you can help but come here and not feel that sense of history and its significance in influencing film. And I think it still does. Some of that is based on history, but it's also based on really incredible programmers who are showcasing such an incredible variety of cinema.

I love romantic comedies. I love romantic movies. I'm kind of a sucker for them, and, sort of end up crying at the end of them all, like a child.

It was so clear from the beginning - what [Macon Blair] wanted to make [in "I Don't Feel at Home in This World Anymore"].

When you have an animal in your home, a relationship forms very quickly, where that animal ceases to be an animal to you. It feels like a member of your family.

I'm always looking for something very different from anything I've done. I'm attracted to a great script, and not necessarily a great character.