[Sundance] still feels like an incredible place for championing emerging voices and art.

The war is definitely in the background, only referred to in radio news blips and conversation. I think, ultimately, this film is about the choices these guys are faced with. In that way, I think this is a more personal story about their friendship, about the reaction that they have when they're essentially faced with death, to a certain degree.

It feels kind of good to be [on Sundance]. There is a sense of unification and community and voices rising together, and that all feels good.

I think people would be up in arms. I think we would most likely have a similar situation to what happened in the 60s. I don't know if it would be as violent, I think it would be difficult to say that. But I think that, from what I can understand, our nation as a whole is largely against the war as it stands.

The other main difference between film and television is that you have the opportunity to flush out a character, over a longer period of time. Whereas with a film, you're confined to two or three hours, or whatever it may be.

Our bad memories and our bad experiences are what make us who we are and what make us grow and allow us to learn, if we choose to see the lessons in those experiences.

[Macon Blair] wrote a beautiful - once it was kicking off and we were gonna make the movie - he sent me this really beautiful document on Tony [from "I Don't Feel at Home in This World Anymore" ]. It was like ruminations. "Maybe this ... I don't know ..." And I loved it.