I certainly thought of who [Tony from "I Don't Feel at Home in This World Anymore"] was. He was so different from anyone I've played. And it was so important for me and Macon [Blair] - this was on the page too - to not make a caricature. There's a version of Tony that I think could be heightened.

I've been really lucky from eight years old to continue doing what I do and continue to love it. I've been able to travel all over the world. I've had experiences at my age that a lot of people haven't. So, you know, I've missed out on certain things, but in other ways I've gained, so it balances itself out.

There's a real purity in New Zealand that doesn't exist in the states. It's actually not an easy thing to find in our world anymore. It's a unique place because it is so far away from the rest of the world. There is a sense of isolation and also being protected.

I'm always intrigued by new challenges and things that I've never done before and new experiences. It sounds so simple, but the primary interest is just something that's good and instills within me some kind of gut feeling that feels like something that I'm passionate and excited about, and there can be multiple variables that can instill that. It can be simply a filmmaker, it can just be a character, it can just be the script, or a combination of all those things. But, I'm always just looking to do things that I've never done before, primarily.

I watched the Lost series in the US and it's great.

[Sundance] still feels significant. I don't think you can help but come here and not feel that sense of history and its significance in influencing film. And I think it still does. Some of that is based on history, but it's also based on really incredible programmers who are showcasing such an incredible variety of cinema.

We all deal with a certain amount of stress, on a day-to-day basis. I probably smoke too many cigarettes, which isn't a very good thing. I don't have any extraordinary coping mechanism. I certainly don't talk to a dog.