I actually got a crush on Anne Heche when I worked with her on Huckleberry Finn. It didn't work out.

["I Don't Feel at Home in This World Anymore" ] really jumped off the page. And there were so many specific notes within the context of the script. Music cues, for instance.

I'll play a character who is getting married to a woman to avoid the draft. Ultimately they fall in love with each other, but at first it's only out of practicality.

I just can't imagine that people would stand for it. People are wanting to potentially elect someone who will get our troops out, so at this stage, if the draft was reinstated, I just think that people would have none of it.

When I work, I disappear into work, which I like to do, and sometimes I don't really have a choice. It's not a conscious thing. It's just total devotion to what I'm doing.

The other main difference between film and television is that you have the opportunity to flush out a character, over a longer period of time. Whereas with a film, you're confined to two or three hours, or whatever it may be.

You don't often get a chance to record with the other actors who are playing the characters, mainly due to the fact that you don't have to, the actors' schedules are all over the place, and it's difficult to get everyone in the same room.