[Macon Blair] wrote a beautiful - once it was kicking off and we were gonna make the movie - he sent me this really beautiful document on Tony [from "I Don't Feel at Home in This World Anymore" ]. It was like ruminations. "Maybe this ... I don't know ..." And I loved it.

I think television has become such an interesting place for characters and for incredible storytelling. Half of what I watch are television shows that I've become obsessed with. I just think that it's opened up so much, to be such an interesting and creative medium, and so many wonderful directors and actors are moving to television because it is a great medium for telling stories and for creating a character over a long period of time.

You don't often get a chance to record with the other actors who are playing the characters, mainly due to the fact that you don't have to, the actors' schedules are all over the place, and it's difficult to get everyone in the same room.

Those moments of solitude and exhibiting a mental breakdown, and how you do that physically and without it being too obvious, but being relatively settled but relatively intense. There are some intense moments in there that sort of pepper his breakdown.

Hello! I'm Elijah Wood, and i'm a looser!

[Sundance is] giving people a chance - many first-time filmmakers. It carries that weight - if you bring something here, people connect with it and it can launch a career.

[Sundance] still feels significant. I don't think you can help but come here and not feel that sense of history and its significance in influencing film. And I think it still does. Some of that is based on history, but it's also based on really incredible programmers who are showcasing such an incredible variety of cinema.