Sometimes my interest in working on a film is not always dictated specifically by the character. Sometimes it's simply about wanting to be a part of a vision that I love, or a script that I love. I find exciting and gratifying.

It was so clear from the beginning - what [Macon Blair] wanted to make [in "I Don't Feel at Home in This World Anymore"].

A solid base for any comedy is just honesty and truth, and it coming from a real place. As surreal as this show gets and is, ultimately, we're dealing with a character that most can't see the way that I can see it.

The guy is a stud with women just following him around wherever he goes. But he is the last one who'll ask anyone to do anything for him. He'd rather just go do it himself.

So much time is wasted on trying to be better than others.

The predominant difference between television and film is the pace to which you work, but the development of the character or the process for playing the character isn't necessarily different.

I actually got a crush on Anne Heche when I worked with her on Huckleberry Finn. It didn't work out.