I love working with male actors, and I think there's a tendency to write really interesting characters that would work solely alongside men where they would be in a man's world and have to deal with that, and it creates a lot of interesting storylines. For me, it's kind of circumstantial, but I definitely enjoy it.

To go from Girl, Interrupted, where I had to cry every day, to a TV show like West Wing where I get to laugh and joke around every day, has been a welcome relief.

I don't think any of us could have possibly anticipated how successful Mad Men has been. When we were working on the pilot, we loved it. We thought it was special. We hoped and prayed it'd be a success. But, we didn't count on it.

I feel like women still deal with dressing appropriately for the office. It's by choice - you don't want to sexualize yourself too much. You want to be respected. You want to be taken seriously, and there's certain things in our culture, if you do, if you wear, you won't be taken seriously.

She drove me to ballet class...and she took me to every audition. She'd be proud of me if I was still sitting in that seat or if I was watching from home. She believes in me and that's why this [award] is for her. She's a wonderful mother.

I love baseball games. I got to go to World Series last year. I watch almost every Cubs game. If I can't watch, I get the updates on my phone. I don't like to go to parties that much. I don't like a lot of people around me, but not in like a weird anxiety way. I just don't like to have to talk to a lot of people.

Anytime you have a female protagonist, it's going to turn into some feminist angle, and it's not a conscious thing on my part. It's only recently that that's been pointed out by the media . . . or pointed out by fans. I also find complicated, flawed characters interesting. What's the opposite? To play one-dimensional, boring failures?