When you get into your 40s, it's all about lighting. It's hard. You have to face whether the way you look is your self-worth or not. Once you get beyond that, it's all about what's in your heart.

When you get into your 40s, it's all about lighting. It's hard. You have to face whether the way you look is your self-worth or not. Once you get beyond that, it's all about what's in your heart.

For many years, I decided not to do television because I have three children, but now my youngest is finally old enough to be in kindergarten. So I'm not feeling that kind of tug of not being with her as much.

People love to talk about how the '70s are the only time they made movies about characters, and adult movies, and complicated people. But in the '80s, they got away with some of those too.

Almost six years ago, before I was given the incredible opportunity to be in 'Leaving Las Vegas,' I was going through a long period of artistic confusion. I'd spent years doing work that hadn't pushed me enough, and I was beginning to wonder if I had any talent.

Every film is a crapshoot. It's a mystery when a movie comes together. I've never been able to figure it out. I don't know how I make my choices. The only thing you can do is know there's something about a character that you really want to experience.

Growing up with three boys in a heavily male-dominated world, I especially needed to express myself as a woman.