I have worked with another first-time director who was not that open, and it was probably one of the worst experiences I ever had, so my antennas are really out.

I think because I was a mother, it helped me feel comfortable that really my primary goal there was to save my kids.

Sometimes when I read about my rebellion in print it sounds a little overrated.

I did 'The Karate Kid,' then I just went back to college. I didn't know how much money it made and I didn't have a publicist. I didn't have any sense of the business part of it.

As the only girl growing up among three brothers, I was always afraid of being excluded. If there was a game to be played, a sport to be learned, a competition to join, I was on my feet and ready. I didn't spend much time alone for fear that I'd miss out.

The darker, more complex and emotional the part is, the easier it is for me. But I don't take any of that stuff home with me at the end of the day.

People love to talk about how the '70s are the only time they made movies about characters, and adult movies, and complicated people. But in the '80s, they got away with some of those too.