You can't improv off of bad writing. Then you have to actually create your objective, which is really hard to do in an element without the skeleton to go off of.

I definitely want to do more movies, and I'm also a writer, so I have a few screenplays that I'm working on, one of them based off my one-woman show that I used to do in New York. Two of the screenplays I've written by myself, and then I'm also working on one with my writing partner, Tom Riley, who's in London.

I used to play the piano by listening to it - like Chopin pieces, when I was, like, a little kid - and then the minute my parents got me lessons to read music, I couldn't do it anymore.

Kids kill a show! It's, like, a fun concept when the character is pregnant, but then if a show runs for a while, I'm sorry, but it gets annoying when it starts to talk. You get a child actor in there, and unless that child actor is freakin' awesome, it's going to be annoying.

I was trained classically, and that's something that I want to do, but I do want to say that right now it's a good market for female comedians, and I want to explore that right now. I really do want to do dramas and meatier roles, especially film.

I made sure that instead of people making fun of me, like every comedian probably says, I made fun of myself first so they would get distracted and just laugh. I was pretty brutally picked on for a while growing up. It was always the really pretty girls, the hot girls and then there was me. So I had to do something to get any sort of attention.

I'm a kid from New Hampshire who's pretty normal.