I was very disruptive. I was horrible. I didn't learn like all the other kids. I had to sometimes take my tests out in the hallways because I couldn't focus. But, my teachers would come see me in the plays and were like "I don't understand how you can focus and be in the moment in a play and you go into math class and you can't focus."

When you're walking around in Shanghai, I called it the City of Near Misses, because they do not stop for pedestrians. And the pedestrians do not have the right of way. It's those little things that no one tells you.

You can't improv off of bad writing. Then you have to actually create your objective, which is really hard to do in an element without the skeleton to go off of.

I don't want anyone to get seriously hurt. But I do watch awards shows to critique the clothes while I sit around eating chips in my sweat pants and in hopes of seeing some hilarious accidental nudity.

I was trained classically, and that's something that I want to do, but I do want to say that right now it's a good market for female comedians, and I want to explore that right now. I really do want to do dramas and meatier roles, especially film.

I was the female lead in a romantic comedy. It's a little indie film that we shot in China called 'America Town,' starring Daniel Henney and Bill Paxton. I actually had to speak Chinese in the film. It was funny because I found out I was doing the film and then a week later, I was in Shanghai.

My dad actually taught me to box when I was, like, nine years old, because I got picked on at school all of the time. I was on a boys' hockey team, so I would get all of my aggression out there.