Men of science, osteologists And surgeons, beat some poets, in respect For nature,-count nought common or unclean, Spend raptures upon perfect specimens Of indurated veins, distorted joints, Or beautiful new cases of curved spine; While we, we are shocked at nature's falling off, We dare to shrink back from her warts and blains.

Suddenly, as rare things will, it vanished.

I love thee freely, as men strive for right. I love thee purely, as they turn from praise. I love thee with the passion put to use

The growing drama has outgrown such toys Of simulated stature, face, and speech: It also peradventure may outgrow The simulation of the painted scene, Boards, actors, prompters, gaslight, and costume, And take for a worthier stage the soul itself, Its shifting fancies and celestial lights, With all its grand orchestral silences To keep the pauses of its rhythmic sounds.

It is not merely the likeness which is precious... but the association and the sense of nearness involved in the thing... the fact of the very shadow of the person lying there fixed forever! It is the very sanctification of portraits I think - and it is not at all monstrous in me to say that I would rather have such a memorial of one I dearly loved, than the noblest Artist's work ever produced.

And that dismal cry rose slowly And sank slowly through the air, Full of spirit's melancholy And eternity's despair; And they heard the words it said,- "Pan is dead! great Pan is dead! Pan, Pan is dead!"

I love thee to the level of everyday's most quiet need, by sun and candle light...I love thee with the breath,smiles,t ears,of all my life.