As a novelist, I cannot occupy myself with "characters," or at any rate central ones, who lack panache, in one or another sense, who would be incapable of a major action or a major passion, or who have not a touch of the ambiguity, the ultimate unaccountability, the enlarging mistiness of persons "in history." History, as more austerely I now know it, is not romantic. But I am.

The importance to the writer of first writing must be out of all proportion of the actual value of what is written.

History is not a book, arbitrarily divided into chapters, or a drama chopped into separate acts; it has flowed forward. Rome is a continuity, called 'eternal.' What has accumulated in this place acts on everyone, day and night, like an extra climate.

... love dreads being isolated, being left to speak in a void -- at the beginning it would often rather listen than speak.

There is no doubt that sorrow brings one down in the world. The aristocratic privilege of silence belongs, you soon find out, to only the happy state- or, at least, to the state when pain keeps within bounds.

Mechanical difficulties with language are the outcome of internal difficulties with thought.

The writer, like a swimmer caught by an undertow, is borne in an unexpected direction. He is carried to a subject which has awaited him--a subject sometimes no part of his conscious plan. Reality, the reality of sensation, has accumulated where it was least sought. To write is to be captured--captured by some experience to which one may have given hardly a thought.