As a novelist, I cannot occupy myself with "characters," or at any rate central ones, who lack panache, in one or another sense, who would be incapable of a major action or a major passion, or who have not a touch of the ambiguity, the ultimate unaccountability, the enlarging mistiness of persons "in history." History, as more austerely I now know it, is not romantic. But I am.

We desert those who desert us; we cannot afford to suffer; we must live how we can.

The writer, like a swimmer caught by an undertow, is borne in an unexpected direction. He is carried to a subject which has awaited him--a subject sometimes no part of his conscious plan. Reality, the reality of sensation, has accumulated where it was least sought. To write is to be captured--captured by some experience to which one may have given hardly a thought.

Nothing can happen nowhere. The locale of the happening always colours the happening, and often, to a degree, shapes it.

Language is a mixture of statement and evocation.

It is in this unearthly first hour of spring twilight that earth's almost agonized livingness is most felt. This hour is so dreadful to some people that they hurry indoors and turn on the lights.

Almost everyone admits to hunger during the Opera.... Hunger is so exalting that during a last act you practically levitate.