My writing, I am prepared to think, may be a substitute for something I have been born without - a so-called normal relation to society. My books are my relation to society.

First love, with its frantic haughty imagination, swings its object clear of the everyday, over the rut of living, making him all looks, silences, gestures, attitudes, a burning phrase with no context.

...though one can be callous in Ireland one cannot be wholly opaque or material. An unearthly disturbance works in the spirit; reason can never reconcile one to life; nothing allays the wants one cannot explain.

This, my first [bicycle] had an intrinsic beauty. And it opened for me an era of all but flying, which roads emptily crossing theairy, gold-gorsy Common enhanced. Nothing since has equalled that birdlike freedom.

Style is the thing that's always a bit phony, and at the same time you cannot write without style.

The writer, like a swimmer caught by an undertow, is borne in an unexpected direction. He is carried to a subject which has awaited him--a subject sometimes no part of his conscious plan. Reality, the reality of sensation, has accumulated where it was least sought. To write is to be captured--captured by some experience to which one may have given hardly a thought.

Each piece of dialogue MUST be "something happening". . .The "amusing" for its OWN sake should above all be censored. . .The functional use of dialogue for the plot must be the first thing in the writer's mind. Where functional usefulness cannot be established, dialogue must be left out.