Who is ever adequate? We all create situations each other can't live up to, then break our hearts at them because they don't.

One can suffer a convulsion of one's entire nature, and, unless it makes some noise, no one notices. It's not just that we are incurious; we completely lack any sense of each other's existences.

Exhibitionism and a nervous wish for concealment, for anonymity, thus battle inside the buyer of any piece of clothing.

Silences can be as different as sounds.

What must novel dialogue . . . really be and do? It must be pointed, intentional, relevant. It must crystallize situation. It must express character. It must advance plot. During dialogue, the characters confront one another. The confrontation is in itself an occasion. Each one of these occasions, throughout the novel, is unique.

I do like Italian graves; they look so much more lived in.

No one of the characters in my novels has originated, so far as I know, in real life. If anything, the contrary was the case: persons playing a part in my life--the first twenty years of it--had about them something semi-fictitious.