It seems like the Western genre has crept out of its casings during the last few years, and expanded to include books and movies we wouldn't originally have thought of as westerns.

I changed my hopes to being a singer [when I was a child] and sat around with my hair in my face droning Mac Davis songs. Writing was sort of a last stand. Come to think of it, it was the only "talent" I had that anyone asked for more of.

The author with the greatest influence on me is my friend Stephen Harrigan, who critiques everything I write before I even bother to show it to my agent or editor. He's a truly great writer - author of Gates of the Alamo and other books you might know of, and his instincts about what's working in a story, and what's not, are just about perfect. My books would be very different without his influence.

When Larry Wright won the Pulitzer for The Looming Tower we all strutted around for weeks, until some sourpuss among us noted that it was actually Larry, and not the rest of us, who won the prize.

I knew from previous books not to count on anything in terms of sales. My first novel - -The Raven's Bride, about Sam Houston's disastrous first marriage - -sold well and got attention, but my second book - -Promised Lands, about the Texas Revolution - -didn't.

I'd be a dope to compare my writing with Wallace Stegner's, but that book probably influenced me in ways I didn't even realize while I was writing The Night Journal.

When I was six I wanted to be a ballerina. By the time I was eight I was fairly sure this plan wasn't panning out. I began aspiring to be an "Aquamaid" at a resort called "Aquarena Springs" in my hometown of San Marcos: Aquamaids got to wear mermaid tails and feed milk bottles underwater to Ralph the Swimming Pig for an audience submerged in a "submarine".