I got hooked on TV westerns back in the early sixties when I was about five, mostly because my brother was addicted to them and wouldn't let me watch anything else.

It took me ten years to write The Night Journal, so that was a big ordeal.

[My brother] was older, and since the law of the west was fairly entrenched in our household, whoever was bigger got control of the television. I sat mesmerized, and horrified, through hundreds of gunfights and became emotionally involved with everyone in Bonanza and Gunsmoke.

The author with the greatest influence on me is my friend Stephen Harrigan, who critiques everything I write before I even bother to show it to my agent or editor. He's a truly great writer - author of Gates of the Alamo and other books you might know of, and his instincts about what's working in a story, and what's not, are just about perfect. My books would be very different without his influence.

I knew from previous books not to count on anything in terms of sales. My first novel - -The Raven's Bride, about Sam Houston's disastrous first marriage - -sold well and got attention, but my second book - -Promised Lands, about the Texas Revolution - -didn't.

When I was six I wanted to be a ballerina. By the time I was eight I was fairly sure this plan wasn't panning out. I began aspiring to be an "Aquamaid" at a resort called "Aquarena Springs" in my hometown of San Marcos: Aquamaids got to wear mermaid tails and feed milk bottles underwater to Ralph the Swimming Pig for an audience submerged in a "submarine".

I'm halfway through a novel set in two time frames - Austin in the 1960's and Alpine (Texas) in present day. It started out to be a small, lighthearted, humorous book about family relationships; I was tired of writing war stories and tragedies.