I definitely try my best not to stay in character when I'm not on set, which can be more difficult in some roles than others.

I grew up learning ballet and then I took up contemporary as I got older. I probably thought I was going to be a ballet dancer when I was younger, but at a certain age, I really was more interested in acting.

There's a lot to be said for being in a room with a casting agent or a director. There are things you can't really replicate when you're self-taping and there's the bonus of having someone to direct you, which is extremely helpful. The benefit of self-taping is, I suppose, being on your own clock. It's certainly more relaxing to self-tape than to audition with someone in the flesh but I don't know if it's necessarily better.

I guess the bigger you dream, the further you have to fall if you don't get it, so it can be a bit of a scary thing to be that ambitious.

The comforting thing for Australian actors is that there's a strong community in L.A. as well - it's almost like you swap one home for another. I didn't feel any pressure.

I don't really look at the skillset of being an actor as different in each medium. It asks a different thing of you as an actor, but for me, I draw upon the same skillset. It's just a different tuning of your tools as to who you're doing it for, whether you're doing it for an intimate camera or an audience of 2,000 people.

I don't have a story about an epiphany in which I suddenly realised I wanted to be an actor. It was much more a case of the idea dawning on me gradually.